The Boys Are Back In Town
By Philip Lynott
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If the powers-that-be ever decide that we need a new national anthem in Ireland, they could do a lot worse than select Phil Lynott’s immortal ‘The Boys Are Back In Town’. Everybody knows it for a start, and you’d have to be a very sour individual indeed not to crack a smile when those opening power-chords ring out. Released as a single in 1976, it hit No.1 in Ireland and No.8 in the UK and was the band’s breakthrough record in America, reaching No.10 on the Cashbox chart, although it stalled just outside the Top10, at No.12, on the Billboard Hot 100. Chart positions tell only one part of the story, however, as the cultural impact of Lizzy’s most famous four and a half minutes continues to this day. In 2004, it made Rolling Stone magazine’s 500 Greatest Songs Of All Time. And it did so again in 2021. It is played at Irish rugby internationals; has been widely used in ads and films; and it is commonly played by international artists when they arrive in Dublin – recognition that it has truly achieved enduring, iconic status.
The Story Behind The Song
It might be hard to credit now, but the song that Thin Lizzy are most famous for around the world – like ‘Fairytale of New York’ after it – almost didn’t happen. In 1975, Thin Lizzy released Fighting – an album which singularly failed to set the world’s cash registers on fire. Accordingly, the band’s next record was likely to be seen – in record company offices at least – as their last throw of the dice. Guitarist Scott Gorham remembered that they demoed about fifteen songs for the album and then picked what they thought were the ten best. It was one of their managers, Chris O’Donnell, who insisted they spend more time on a song that had the working title ‘G.I. Joe’ or ‘G.I. Joe Is Back’. He could see something in it that the band had missed.
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Philip Lynott , lead singer and songwriter with Thin Lizzy. Portrait by Colm Henry for Hot Press, 1983
Philip Lynott , lead singer and songwriter with Thin Lizzy. Portrait by Colm Henry for Hot Press, 1983
The initial anti-war lyrics – possibly about soldiers coming home from Vietnam, or maybe an idea Lynott lifted from the G.I. Joe comic strip – were jettisoned. Here’s how Gorham described it to Hot Press in 2020:
“I think the remnants of the Vietnam War were still there and it had really stirred up an anti-war feeling,” he recalled. “But, finally, Phil said ‘Nah, that idea has been overdone, so many people have written anti-war songs’. He turned it into more of a gang song. He looked at all of us: what do we do on a Saturday night? We go out, we have a lot of drinks, try to pull the chicks and have a great time. And that is what that song is: it’s Saturday night with all your buddies. That’s what the song is about. Nothing more.”
Nothing more? In a way, at least for people in a certain age bracket, that nothing more is everything. In fact ‘The Boys Are Back In Town’ captures that spirit of camaraderie and shared feeling that people all over the world have experienced, getting back together with what they think of as their own posse. Which is why so many fans see it as evoking the excitement that was in the air, when Philip and the gang landed in Dublin, as well as the energy and the buzz, when he got together with his old mates, visiting the treasured haunts of his youth – in this case Dino's Bar and Grill becomes a local Italian with a jukebox in the corner, in a Dublin suburb like Terenure or Rathmines, where the young Philo used to hang out. Plus, of course, there’s the Dublin sense of humour: the gang are having a laugh.
There are other theories. Some have suggested that it was inspired by the infamous Quality Street Gang, who effectively ran the underworld in Manchester, where Philip’s mother Philomena operated a hotel with a late night bar that was home to a variety of celebrities, bohemians and rockers. They were “a far from sweet bunch of characters” as Lynott once put it himself, and they used to hang out at a spot called Deno’s, a Manchester nightclub where blood was probably spilt more than once. Jimmy The Weed, a member of the gang, was also immortalised on the next Lizzy album.
In a sense, none of that matters. What does is the impact that the song had – and still has – on listeners. The track was recorded in late 1975 at Ramport Studios in South London, with John Alcock in the producer’s seat. Gorham and Brian Robertson put the trademark guitar harmonies together, although sections were adapted directly from ideas that Philip had developed. Drummer Brian Downey added his own distinctive shuffle. Some have pointed towards Bruce Springsteen’s ‘Kitty’s Back’ from his 1973 masterpiece, The Wild, The Innocent & The E Street Shuffle as musical inspiration. But while there’s a lyrical similarity in the chorus, this is rock 'n‘ roll in action, with one great artist feeding off another, and everyone’s a winner. Both songs are bursting with lightning-in-a-bottle joie de vivre.
A demo included on the Rock Legends box set has a different set of lyrics, but Lynott’s subsequent draft improves things immensely. And yet, this was no shoo-in as a hit single. The way Scott Gorham recalls it, the band were touring America to far less than full houses and generally not feeling the love. Things were motoring on, in that less than promising vein, when a DJ in Kentucky heard the Jailbreak album and began to put ‘The Boys Are Back In Town’ on repeat. Sometimes that’s all it takes: one or two champions can make all the difference. With the benefit of hindsight, you think: how come no one else spotted that this was a classic? Well, they soon did. Other stations picked up on the song – and the momentum built inexorably until the record company honchos were forced to put it out as a single. The same Chris O’Donnell called the band to tell them that they had a hit on their hands, prompting Phil and the boys to finally start including it in their live set. Strange how things pan out. The single reached No.1 in Ireland, No.8 in the UK, No.8 in Canada and No.12 in the US.
It’s a song that has since entered the Global Rock Song Canon. It was a Lizzy live mainstay, one of their crucial songs, most notably in the Live and Dangerous phase, which saw them ascend to the status of Best Hard Rock Band on the Planet. With ‘The Boys Are Back In Town’ as a centre-piece, the album went to No.2 in the UK (where it achieved double-platinum status), and was a hit in New Zealand, Sweden, Germany and the US, among other territories.
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Philip Lynott onstage, with Thin Lizzy guitar maestro, Scott Gorham. Pic: Colm Henry
Philip Lynott onstage, with Thin Lizzy guitar maestro, Scott Gorham. Pic: Colm Henry
Like Van Morrison’s ‘Gloria’, the song has become a live staple for bands – from those with one foot still in the garage to superstars like Bon Jovi, who not only played it live but used it as a B-side. It’s not just so called ‘hair’ bands either. Both Wilco and Belle & Sebastian have had a go and there have also been cover versions by Happy Mondays – more “inspired by” than a direct copy, they say – Everclear (whose treatment featured on the Detroit Rock City movie soundtrack), The Cardigans, Atlanta Rhythm Section, Molly Hatchet, Celtic Thunder, The High Kings, and lots more besides.
It has soundtracked a myriad of sporting events, including parts of the 2012 London Olympics, as well as Irish rugby internationals. In addition, the song has featured in movies such as The Expendables and A Knight’s Tale; in TV shows like The Simpsons and It’s Always Sunny In Philadelphia; and several high-profile commercials. Indeed, there’s a good chance that more people have heard it as part of the trailers for the Disney/Pixar Toy Story movie series – the toys are back in town – than anywhere else.
Controversially, at the 2012 Republican National Convention, the song was played as the Irish-American, US Vice-Presidential Candidate Paul Ryan – he was on the ticket with Mitt Romney – was ushered on stage. Philip Lynott’s mother Philomena, his wife Caroline and Scott Gorham all objected to this unauthorised appropriation of the song, pointing out how at odds Lynott would have been with Republican policies. Inappropriate it may have been, but it does illustrate just how widely ‘The Boys Are Back in Town’ is recognised as a stone cold, never to be forgotten, rock classic.
As it should be…
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Philip Lynott with Irish songwriting legend Paul Brady, on the cover of Hot Press
Philip Lynott with Irish songwriting legend Paul Brady, on the cover of Hot Press
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